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Perspectives on the American Family: Allison Anders on Douglas Sirk’s There’s Always Tomorrow

Indie icon Allison Anders, director of such films as BORDER RADIO, MI VIDA LOCA and GRACE OF MY HEART, explains why Douglas Sirk’s fifties melodramas, or »women’s pictures«, had such a big influence on her own female-oriented work and compares Sirk’s portrayals of American family life to that in films by Wim Wenders such as PARIS, TEXAS.


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